I liked ‘Munich’
Sunday, January 29th, 2006The last time I was in Israel was in January 2004. I took a day trip to see my mishpacha meametzet—adopted family in a neighborhood that bordered the green line. My adopted family was where I would go when I lived in Israel from 1998 to 1999 to eat good food, take a clean, hot shower, watch television (a Seinfeld marathon one Rosh Hashanah) and make friends with ‘real’ Israelis. To their liking I was a good role model for their children, to their disliking I abused their generosity by calling my exboyfriend in America with whom I was still in love.
This reunion would be all the things that reunions are and I knew that: pleasant, awkward, sincere, insincere. And it was. What I was looking forward most was spending time with my oldest adopted brother, Erez. When I met Erez he was 18, I was 22, and he was this gorgeous teen with spiked hair and glimmering blue-green eyes. Throughout the time I lived in Israel, Erez applied and became accepted to an elite unit in the Israeli Defense Forces. He would come home with no skin on his elbows from the rigorous training exercises. Despite his wounds and my old age, he would take me along with his friends clubbing in Tel Aviv. It was funny to watch him at the clubs holding a beer, but not drinking it and rolling his eyes at his friends who were chain smoking. He didn’t not drink and smoke because of any military ambitions, he just was a person who didn’t drink and smoke. I was at the Western Wall in Jerusalem when he was sworn in to his unit, or not to his unit to another unit because his unit was secretive. I was so proud of him and developing an intense crush that I didn’t dare act on because of the age difference and my relationship with his siblings and parents. And who knows if he was interested?
Anyways, more than four years later was this reunion. Erez picked me up from the new train station in Rosh Haayin. We chatted for a bit, small talk. But it was clear he had changed. Who doesn’t change in four years? But he had been hardened. Most of Erez’s military service was during the Second Intifada. I don’t know what he did. I never asked. But whatever it was had taken a toll on him. The four years age difference was gone. In fact, he looked closer to 30 than to 22. We drove back to his house and had dinner with his parents and youngest brother. The two middle ones were in the army. He then asked me if I wanted to go out in his truck to be with him during his duty. His duty involved patrolling the neighborhood to look for, whatever it is you look for in a neighborhood bordering an Arab village. We drove around and stopped at the top of a hill. He pointed to the construction of the wall/fence/barrier below.
“Pretty impressive, no?”
I didn’t answer because now, with him, my opinions, my hopes for peace, were irrelevant. He took out a pack of cigarettes and offered me one.
“You don’t smoke,” I said.
“The Army,” he answered.
“Well you look ridiculous,” I said.
He shrugged and smoked half heartedly.
“So Sharna,” he was one of few Israelis who could pronounce my name without over pronouncing it or just changing it entirely, “You happy?”
And I told him of my unhappiness and he told me about his dreams for the future. I know it would make this piece more interesting if I told you I took him in my arms and he cried about the people he had or hadn’t killed— that he spoke against the Israeli government’s policies be it on targeted assassinations or the building of new settlements. We didn’t speak politics, we spoke of happiness, of dreams, of love while watching the sun set in front of us and to our side the wall/fence/barrier emerging from the ground
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So I saw Munich today: the controversial Steven Spielberg film that “based on true events” depicts what happened after the 1972 massacre of Israeli athletes at the Munich Olympics. I work in a Jewish high school and the film has been the talk of the school, students, teacher and parents since its debut in December. From some of the most liberal thinkers at our school to the staunchly right wing pro Israel advocates, the feeling is that Steven Spielberg backstabbed Israel and the Jewish people by directing Munich. I spoke to a woman the other day at school who was in tears talking about it. She said after his work on Schindler’s List and the Shoah Foundation, Spielberg had been her hero. She now feels betrayed and disappointed.
Before seeing the movie I had heard several arguments and read op-eds and even a sermon against the film. I must say that even though I respect the opinions of my colleagues, students, their parents and Rabbis, I completely disagree with their anger towards the film, although I do see some of their points. Their views are best synthesized by Bret Stephens in an op-ed piece in the Wall Street Journal. I will respond to his points:
I agree that choosing Tony Kushner to rewrite the screenplay was a mistake by Spielberg. Because of Kushner’s hostility toward the state of Israel, he lacks considerable credibility, and therefore the film’s message, or lack of one, is muddled by its author’s persona. It would be like Tom Cruise writing the Andrea Yates story. I can picture the scene in the pharmacy now, “Andrea, maybe some vitamins would help you.”
I also found it distasteful the depiction of Israelis shelling out cash to middle men and the running joke that they were keeping tract of receipts. It was annoyingly stereotypical and gave an opportunity for the audience to chuckle at the money grubbing Jews. Perhaps they were using the money as a metaphor for the actual cost: human life and dignity. The link is weak and instead fueled the notion that rich Jews run the world.
The rest of the movie was extremely well done.However, I don’t know if any of it is true. I actually doubt it is. What does it matter? We are beyond the naiveté of the duck and cover generation. Today absolute truth is dead and unlike our president, Congressional representatives and some Oprah author, Spielberg doesn’t claim the movie is absolute truth but ‘based on actual events.’
A criticism of the movie is that the terrorists were humanized: a father, a sweet old professor, a chummy man in his 40s. So what if they were humanized? Is a Palestinian who wants to kill Israelis a robot? Why is it awful to see that the bad guys sometimes look and act just like us? Usama Bin Laden didn’t grow up in a cave. He was from an upper middle class Saudi family. Just because the old man in the film was carrying groceries doesn’t mean he didn’t deserve to be brought to justice. What that justice should have been is another issue entirely.
Also some of the fictional quotes have been lambasted as depicting Israelis as ethnocentric. Well, I hate to break it to you, but Israel was and still is Israelcentric. Why is that a problem especially when the movie takes place during the 1970s when Israel had fought four major wars in 25 years? Also, an attitude of just caring about Jewish blood did exist in the context of a world which 20 years earlier had allowed 6 million Jews to perish as well as failed to bring many Nazis to justice and jail the members of Black September living throughout Europe.
Another issue that has been taken with the film is the character Avner’s “fall” from the brave soldier to disillusioned expatriate. I don’t remember this sort of harsh criticism of any American war movie portraying the same exact ideas: killing takes a toll on soldiers. In 2006, we have American soldiers returning from Iraq with post traumatic stress disorder. They too are questioning our government’s motive for going to war. If Avner and the other operatives hadn’t questioned what they were doing, I would have found them less believable, likeable and admirable. One of the last scenes is controversial for similar reasons: Avner is having sex with his wife. The sex is consensual but violent and during it he pictures the murders of the Israeli Olympians. The sex is in total contrast to the beginning of the movie when we see Avner making love to his pregnant wife. This second to last scene was hated by one of my colleagues and by the authors of editorials I have read. From my point of view it was additional emphasis on how this conflict permeates all aspects of life, even the most sacred. I would argue that Avner had to rid himself of the burden of avenging the athlete’s deaths to move forward to a life of being a husband and father. He had to rid himself of those images. The idea of expelling it in the bedroom might be a bit discomforting, but it was his wife with whom he felt most human. There was some artistic beauty to the scene.
Another accusation against the film is that because it ends with a shot of the World Trade Center, Spielberg was linking Israel to 9-11. I think he was correctly reminding us that we still have not found an adequate solution to fighting terrorists.
I think this film evokes such considerable emotion not because of its content but because of the atrocities of the Munich games. The entire event was appalling from the terrorists who planned it, to the Germans who failed to rescue them, to the Europeans not working harder to arrest the perpetrators, to the Olympic Officials who continued the games despite the murders. The entire event was a travesty. Jews want people to understand the travesty. Their feeling is that the film distracts from the fact that unarmed Jewish athletes were murdered under the sanctity of the Olympic rings.
I even challenge that notion. My own Jewish students had never heard of the massacres until this film was released. This event will be remembered by many more people because of this movie. The horror of it will be discussed in classrooms and at the workplace. I think that is a good thing for Israel and the Jewish community that the world better understands why barriers are built, Palestinians are assassinated and borders closed, even via a flawed film.
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Erez drove me to the train in Rosh Haayin. We said our goodbyes and planned to have lunch together at the university later that week. We never did. I haven’t talked to him since. But I remember the grin on his 18-year-old face. And I remember the quiet smile when he saw me four years later. I hope time has healed all of his wounds.
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Links
The Munich Massacre
One Day in September (another film - more accurate)
A good article about the event
Tony Kushner’s response to critics
Spielberg Film angers Israelis
Munich attack mastermind feels no regret
Op-Ed: Munich the Travesty
A Chicago area rabbi’s view on Munich
An article on how to stop terrorism with good background on the PLO and Black September